AEDM: Day 14 The completed painting...

 I really got into the painting last night, and was able to  complete it, more or less. ( I may add more words, I have to wait and see). I used gel medium to glue down my copied and enlarged sketch, but did not put any over the top. I wanted the paper to still have some "tooth" because I was using oil pastels to color her in, along with Inktense pencils, and I didn't think they would work as well on a slick surface.

 I have never used oil pastels before, I actually went in to buy water soluble oil pastels, but the store didn't have any. Now you would think I would just wait for the others to arrive in the mail, but I just couldn't resist. I first colored in her hair, facial features and clothing with my Inktense pencils, then went over them with a damp paint brush to blend. If there is an area that you want lighter, don't put any ink there, drag a bit in with your paintbrush, that's a good way to shade. At this point I also glued down the word kindness, as I wasn't sure if the gel medium would stick to the oil pastels. Then I started coloring in the flesh with pastels. At first they went on chunky, like a crayon, and I thought I had ruined the piece. I couldn't figure out how you could get any details out of them at all. Then I started adding white over the top of the flesh color I first used, and that's when the creaminess of the medium made it's self known. I used my finger to start blending the two colors all over the sketch, and added shadow with a gold tone. Everything smoothed out beautifully. I put in a little more white in highlighted areas, and added the blush to her cheeks. I didn't want to give her clown rouge, so I scribbled a bit of pink onto some scrap paper, and then picked some up on the end of my finger, and lightly rubbed it into her cheeks. I used a paper sketching stub to get into tight areas, and to clean some pastel away from the black sketch lines. I like how she turned out. Of course now I was faced with the issue of pastels staying smearable. They don't actually dry, you have to seal them. A little online research says to spray them with a workable fixative....? I don't know what that is, but I sure don't have any. I decided to try just another coat of medium. I tested on a small part of her neck. After it dried, it was fine. It seemed to seal up nicely, so I went ahead and covered her. I then added the flowers to her headband, and another coat of medium.

Here is a bit of detail on the birdhouse. Rubber stamps, ink, stamps and a new roof. Everything is edged and highlighted with water soluble crayons, and there you go...all done. Thanks for taking this little journey with me, I hope that seeing it broken into steps helps a bit. Enjoy...

AEDM: First for me; I am always a late bloomer!

In my quest to create art everyday, I have certain criteria I must meet, mostly... it must be portable! My hubby wants to do the RV thing and that means I must think of ways to carry my supplies with me and be able to work in small places. So I have started to sketch more, something I rarely do, but I am really beginning to enjoy it. Perhaps these sketches will be printed and later combined into new art on a larger scale, you never know. I drew these birds last evening while watching TV, then added the color with my Inktense pencils. I love the bright blend-able colors, and I get better control than with a brush. I have already started cutting them out, so I can scan them into my computer...

Layers: Creating Depth in Your Mixed Media Art...

At the request of some of my flying cohorts, I am posting this little tutorial on how I create depth and interest in my paintings. I always find it helps me to move along in a piece if I have a kind of formula to follow. I hope it helps you as well...I actually counted while creating the piece "Those Who Wish" and realized that I have at least eight layers of assorted paints and papers in it, so here is the break down.

Layer1: Tear or cut strips of paper, and glue them onto your surface using gel medium. I am using a small canvas panel as my surface, and matte medium instead of gloss. I like using the canvas panels for a couple reasons. They are very inexpensive, and they are firm enough to use a brayer on to really smooth down the papers. I find that stretched canvases have too much give for the kind of pressure I use. Here you can see the little bird picture that was the inspiration for this piece. Here I have used sheet music, a page from a technical manual, and a page from a book written in German, found at a library sale this summer.

 Layer 2: Paint over the papers with a layer of acrylic paint. I usually like to just drizzle the paint on, one or two colors at a time, and blend them on the surface with my brush. In this case, after the drizzle, I ran my brayer over the surface, I like the way it tints the papers.

 Layer 3-5: Before the papers are sealed with a coat of gel medium, it is a good time to add some details. You can see here, I have used a scrap of shelf liner to stamp and interesting texture in rust acrylic paint. Simply paint the shelf liner with your paint, lay it on your piece and run a brayer over it, moving it around to create a random pattern. This is also a perfect time to stamp any images. The paper is still porous, so the ink can really grab. Any stamping after you seal this layer, will have to be done with permanent ink. You can see I have also added some scraps of decorative papers, and stamped images over them as well.

  I save caps from spray cans and bottles for making different sized circles. This is the time to add bubble wrap stampings, circles and more detail with acrylic paints. I have used a dry brush with  walnut colored paint to soften the edges of the canvas board. I like the way it starts to frame and focus your eye towards the middle of the piece.

 Layer 6: I know we are on layer six, but this could easily be seven, eight or nine! The best depth is achieved by constantly adding more, some times very subtle details, that blend in, but add a richness. Now I will try a gel medium transfer, something I just learned, but haven't tried. What you see here is the back-side of the bird picture, laid into a thick coat of medium. I went ahead and sealed the entire piece with the medium, then placed the image in my chosen spot. I then smoothed it out as best I could, and waited for it to dry.

 Now I have dampened the back of the bird image, and am gently rubbing the paper off the back...

I must have been too impatient, some of the transfer was lost...this means I either did not burnish it down enough, or I didn't wait for it to completely dry. Not to worry, I have a backup plan! 

 

The same magazine happened to have a smaller version of the image, so I will add that on top. I love the way the failed transfer echos the clearer image. Happy accident after all! Coat everything with gel medium again.  Every time you do this, it adds just a little spacing between layers, and slightly "fuzzes" the previous layer, this is what will add the depth you are looking for. I have added a foam stamped B, (for bird) and I
am ready to add the final meaningful words.










Layer ?: At this point I am so far into the piece, I have no idea where we are! I type and retype the message I want on my computer, and play with different fonts as I go. Then I will print them out and snip them into individual words, to be reassembled on my panel. This is where you can accent different sections of the piece, using either Derwent Inktense ink pencils or Caran d'Ache Neocolor water-soluble crayons, ( both give some very nice, rich colors) I outline my focal pieces. This means the words, the bird, which ever parts I want to really stand out. With a damp brush, blend these colors in, creating a shadow effect around your focals. Don't forget to sign your work! A final full coat of gel medium is then applied, to seal in these last colors.





That's how I do it, many, many layers! Just when you think you are done, add another layer...
 I hope you have fun playing with this process, and share your creations with the rest of us! Enjoy...